sararajabzadeh.ir-illustration-works

I use motion graphics and video to invent surreal shapes to evoke liminal spaces by presenting the familiar as strange and using distortions in placement/scale. This provides the viewer with a unique occasion to access realms/states that might be otherwise inaccessible. Viewers are invited to experience the in-between spaces. My most recent body of work presents multiple thresholds, bodily experiences of these spaces that are felt rather than lived. Like standing at the edge of a cliff and imagining, despite oneself, how the ordeal of actually falling might feel. Edge movements like these invite one to live out, mentally, the mortal possibilities presented by the situation. (2019)
My unique perspective and artistic themes are drawn from nature and I use my experiences growing up while exploring fields, forests, and plains full of flowers and butterflies. I capture nature and existence in the magic of freedom. It can be taken from the simplest moments such as the feeling of running with the air breezing against the skin, or even deeply breathing with a passion for life. I combine pattern pose, and rhythm that is all around us, to release the instinctual and meditative movement of a world full of awe and wonder. (2019)
Our lives consist of internal and external landscapes. I find myself continuously inspired by intersection of the inside and outside, particularly in animated environments. Landscapes express how we observe them. The landscapes are inside us as much as we are inside it. My work engages the reciprocal relationship between inner and outer space, between people and our environments. These relationships can be very dynamic particularly when looking at the borders that define them which sometimes can look like peaks and valleys. In my country, the mountain is emblematic of consistence and strength which can be the intersection of us and our surroundings. (2019)
Geometric Pattern Design
Blue Sphare
There is a proverb in Farsi “Tishe be rish-e khod zadan.” It means that humans destroy themselves with their own hands. One of the biggest environmental problems is deforestation which in this work displays the impact on human beings. (2021)
Geometric Pattern Designs
"kolaleh"
When looking at a black screen, one might at first glance only see a vague thing that has a geometric pattern. But it might not be clear exactly what that thing is: it could be a cloud, light, star in space, or an image of infinity, the possibilities are endless and provoke the imagination to go far beyond normal everyday constructs. These shapes are born from my interest in studying mathematics and engineering which have influenced my artistic practice in many ways. (2019)
The phone booth serves as imagery for an invisible person; something many people felt themselves to be during the pandemic existing in both physical and mental realms. People are trapped in their homes because of Covid-induced lockdowns and so, technology became the most popular source of communication and information. As we are exposed to the outside and bombarded with personally tailored and biased media, our knowledge and experience becomes directed toward these narrow channels. The disinformation during the pandemic fuels selfish and individualist freedom which sometimes leads to dangerous consequences. (2021)
As a human, there is a tendency to consider oneself separate from nature. A different force completely, with the divine right to use and consume all that which nature provides. We forget our place in the earth’s ecosystem as well, enveloping ourselves in manufactured surroundings to shield us from the harsh and savage realities as well as the beautiful tranquility of the natural environment. However, we are not completely lost, many of us want to restore that connection our species once had with the flora and fauna of the earth. (2018)
Respect to animals
Mandela Design
Mandela design
Pardisane' logo Design
Yuga Logo Design
Ziba Gallery Logo