Shapes and forms substitute language here:
Geometric shapes are used for description instead of actual language. Each language has its concepts, logic, and boundaries. Translation discrepancies between various languages can create cultural misconceptions. But shapes are not limited by these boundaries. Through geometry, shapes demonstrate diverse range of human concerns and feelings. For example: environmental problems, lack of privacy, daily distress, routines, looking for meaning and truth in life, or even the feeling of being excluded from a community.
In all projects, I see myself as a digital designer who is a translator. I try my best to be the language of transmitting the messages with designs that are taken from shapes, especially abstract geometric shapes. (2020)
My artistic perspective comes from nature and my childhood experiences exploring fields, forests, and open landscapes filled with flowers and butterflies. My work captures a sense of freedom found in nature and existence. This freedom can be felt in simple moments, such as running while feeling the wind on the skin or taking a deep breath filled with life. Through patterns, movement, and rhythm found in the natural world, I express an instinctive and meditative connection to a world full of wonder. (2019)
When looking at a black screen, the viewer may first notice a vague geometric form. It is not immediately clear what it represents—it could be a cloud, a light, a star in space, or even a sense of infinity. These open possibilities invite the imagination to move beyond everyday ways of seeing. The shapes come from my interest in mathematics and engineering, which have strongly influenced my artistic practice. (2019)
Our lives are shaped by both internal and external landscapes. I am continually inspired by the intersection of inner experience and the outside world, especially within animated environments. Landscapes reflect how we perceive them, and they exist within us as much as we exist within them. These relationships are dynamic, particularly at their boundaries, which can resemble peaks and valleys. In my country, Iran, mountains symbolize consistency and strength, representing a meeting point between ourselves and our surroundings. (2019)
I use motion graphics and video to invent surreal shapes to evoke liminal spaces by presenting the familiar as strange and using distortions in placement/scale. This provides the viewer with a unique occasion to access realms/states that might be otherwise inaccessible. Viewers are invited to experience the in-between spaces. My most recent body of work presents multiple thresholds, bodily experiences of these spaces that are felt rather than lived. Like standing at the edge of a cliff and imagining, despite oneself, how the ordeal of actually falling might feel. Edge movements like these invite one to live out, mentally, the mortal possibilities presented by the situation. (2019)
The motion graphic introduces the present application of the NanoWatch. The project was commissioned by a knowledge-based company that manufactures these products. It is used a flat design with a purple theme for company’s brand. The Narration completely describes the process of the application and how it works. My motion graphic for this project was displayed at the 26th annual Iran International Exhibition ELECOMP. (2019)
The motion graphic introduces the inventive device as Mahgoon is associated whit Manitoring hoshmand Namayeh. At the request of the company, it is used flat design and the narration completely describes the process of the application and how it works. My motion graphic for this project was displayed at the 26th annual Iran International Exhibition ELECOMP. (2019)
The motion graphic introduces the mobile is the new face of customers engagement.
The motion graphic designed base on geometric design pattern.
This interactive installation focuses on themes of language transformation, femininity, disconnection, misunderstandings, and the alienation experienced by migrants. By symbolizing the invisible barriers created due to language transformation, cultural disconnection, and evolving identity, the installation aims to evoke empathy and understanding from visitors. It visually and interactively represents the struggle with language barriers, the impact on femininity and cultural identity, the feelings of being misunderstood, and the emotional journey of migration from disconnection to adaptation and resilience.