Shapes and forms substitute language here:
Geometric shapes are used for description instead of actual language. Each language has its concepts, logic, and boundaries. Translation discrepancies between various languages can create cultural misconceptions. But shapes are not limited by these boundaries. Through geometry, shapes demonstrate diverse range of human concerns and feelings. For example: environmental problems, lack of privacy, daily distress, routines, looking for meaning and truth in life, or even the feeling of being excluded from a community.
In all projects, I see myself as a digital designer who is a translator. I try my best to be the language of transmitting the messages with designs that are taken from shapes, especially abstract geometric shapes​​​. (2020)

Shapes and language

Butterfly

My unique perspective and artistic themes are drawn from nature and I use my experiences growing up while exploring fields, forests, and plains full of flowers and butterflies. I capture nature and existence in the magic of freedom. It can be taken from the simplest moments such as the feeling of running with the air breezing against the skin, or even deeply breathing with a passion for life. I combine pattern pose, and rhythm that is all around us, to release the instinctual and meditative movement of a world full of awe and wonder. (2019)

Infinity

When looking at a black screen, one might at first glance only see a vague thing that has a geometric pattern. But it might not be clear exactly what that thing is: it could be a cloud, light, star in space, or an image of infinity, the possibilities are endless and provoke the imagination to go far beyond normal everyday constructs. These shapes are born from my interest in studying mathematics and engineering which have influenced my artistic practice in many ways. (2019)

Inside and out

Our lives consist of internal and external landscapes. I find myself continuously inspired by intersection of the inside and outside, particularly in animated environments. Landscapes express how we observe them. The landscapes are inside us as much as we are inside it. My work engages the reciprocal relationship between inner and outer space, between people and our environments. These relationships can be very dynamic particularly when looking at the borders that define them which sometimes can look like peaks and valleys. In my country, the mountain is emblematic of consistence and strength which can be the intersection of us and our surroundings. (2019)

Surreal Landscape

I use motion graphics and video to invent surreal shapes to evoke liminal spaces by presenting the familiar as strange and using distortions in placement/scale. This provides the viewer with a unique occasion to access realms/states that might be otherwise inaccessible. Viewers are invited to experience the in-between spaces. My most recent body of work presents multiple thresholds, bodily experiences of these spaces that are felt rather than lived. Like standing at the edge of a cliff and imagining, despite oneself, how the ordeal of actually falling might feel. Edge movements like these invite one to live out, mentally, the mortal possibilities presented by the situation. (2019)

NanoWatch

The motion graphic introduces the present application of the NanoWatch. The project was commissioned by a knowledge-based company that manufactures these products. It is used a flat design with a purple theme for company’s brand. The Narration completely describes the process of the application and how it works. My motion graphic for this project was displayed at the 26th annual Iran International Exhibition ELECOMP. (2019)

Mahgoon

The motion graphic introduces the inventive device as Mahgoon is associated whit Manitoring hoshmand Namayeh. At the request of the company, it is used flat design and the narration completely describes the process of the application and how it works. My motion graphic for this project was displayed at the 26th annual Iran International Exhibition ELECOMP. (2019)

The motion graphic introduces the mobile is the new face of customers engagement.

CellPhone

The motion graphic designed base on geometric design pattern.
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The warp and weft

This interactive installation focuses on themes of language transformation, femininity, disconnection, misunderstandings, and the alienation experienced by migrants. By symbolizing the invisible barriers created due to language transformation, cultural disconnection, and evolving identity, the installation aims to evoke empathy and understanding from visitors. It visually and interactively represents the struggle with language barriers, the impact on femininity and cultural identity, the feelings of being misunderstood, and the emotional journey of migration from disconnection to adaptation and resilience.

 Interactive Art Installation​​​​​​​